“I’m Thoroughly Impressed,“ Reason on Nasty C’s Pen on Four Horsemen

During a recent episode of Podcast and Chill with MacG, Reason spoke about Four Horsemen, a collaborative hip-hop track that brings together some of South Africa’s most prominent lyricists. The discussion focused on the creative process behind the song and the individual contributions of the artists involved, with particular attention given to Nasty C’s performance.

Four Horsemen,” by Stogie T, features performances from Nasty C, A-Reece, and Maggz uniting some of the country’s most respected hip-hop voices on a single record. It is structured as a high-level lyrical showcase. The title draws from the biblical reference of the Four Horsemen, commonly associated with power, dominance, and inevitability. In the context of the song, the metaphor is used to frame the artists as commanding figures within hip-hop, each delivering verses designed to demonstrate technical ability, writing precision, and thematic confidence. The track follows a traditional posse-cut format, with a hook anchoring the song and each verse allowing space for individual expression while maintaining a unified tone.

While reflecting on the record, Reason highlighted Nasty C’s contribution, describing it as a standout element within the broader collaboration. Speaking on the podcast, Reason said, “For me, Four Horsemen, my king and my goat, Nasty C, from the hook to the verse, the way he penned it, the way he lines it up, the way he stacked it.” His comments focused specifically on the construction of Nasty C’s writing.

Reason went on to contextualize this within the overall quality of the song, noting that the standard of writing across the track was consistently high. “Everyone is a phenomenal writer there but that’s where I’m impressed, I’m thoroughly impressed,” he said. The statement positioned Nasty C’s verse as notable in terms of execution while still acknowledging the collective strength of the lineup.

Reason referenced how the hook connected seamlessly with the verse and how the lyrical components were arranged to enhance clarity and rhythm. Rather than isolating a single bar or punchline, Reason’s remarks addressed the verse as a complete piece of writing, emphasizing sequencing and cohesion.

He concluded by saluting Nasty C’s lyrical approach overall, framing it as an example of deliberate and effective songwriting within a competitive collaborative environment.

The segment offered listeners insight into how artists evaluate one another’s work behind the scenes, particularly in collaborative settings where technical detail and writing discipline are central to the final product.